Each year, my busy art career takes me to near and far away places. Ironically, I oftentimes find myself with little or no time to plein air paint.
That is why I am really excited about traveling with opaque gouache and watercolor paints, and a watercolor sketchbook!
Let me explain.
I love plein air painting, but I don’t always have the time to set up my pochade box or easel. And, although I bring my camera when I travel, I’d rather be painting…
I’m always on the lookout for the latest, most convenient plein air painting gear and set-up. Recently, while at the Plein Air Convention in Santa Fe, New Mexico I learned a time-saving, plein air painting tip from artist, Scott Gellatly. Not only is Scott the Product Manager for Gamblin Artist Colors, he is also a talented artist.
Like me, Scott is on the road a lot. But recently, Scott discovered a simple plein air painting system for the busy artist using only opaque gouache and watercolor paints. I was so impressed with his beautiful watercolor sketchbook which was filled with gorgeous, little painting gems!
I thought you’d enjoy discovering what I learned about opaque gouache and watercolor from Scott Gellatly, the Gamblin Man...
As painters, it’s safe to say that we’re always painting. Or, at least thinking about painting. We’re constantly looking at light, color and form. As a plein air painter, in particular, I’m always aware of the landscape around me – especially when I’m traveling.
The pace of travel is not always conducive to setting up my oil painting gear and spending a couple hours on a painting, however. This is where the practice of traveling with gouache and watercolor comes into play.
Though I’m an oil painter to the core, I’ve enjoyed working with water colors for years. My interest in this medium was rejuvenated about a year and a half ago during a family trip to Kauai.
Spending 15 – 20 minutes on a small painting is certainly more compatible with family vacations and I’m able to satisfy my desire to paint, while not abandoning my family.
In a slight variation to using watercolors exclusively, I incorporate a few tubes of opaque gouache into my process. This makes the technique and resulting paintings more akin to my oil painting.
My palette in oils is based around a split primary palette, incorporating both opaque and transparent colors.
Generally, I try to stick with the approach of using transparent darks and opaque lights in my oil painting, which broadens the value range of the work and contributes to the sense of depth.
In addition to my travel set of transparent watercolors, I include titanium white, cadmium yellow light and cadmium orange in gouache.
Yes, I will occasionally use these small paintings as inspiration or studies for larger studio oils.
However, as Emerson said, “The reward of a thing well done is having done it.”
To me these paintings are complete – no matter how small they are or how long they took me to paint.
Guest artist/author: Scott Gellatly
PS. Lori’s new DVD and video, Luminous Landscape Painting with Lori McNee is NOW AVAILABLE. Click the link to learn more.