3 Steps to Find Art Gallery Representation

To many artists, finding the right gallery to represent you and your art can be an intimidating process. But, unless the galleries are knocking at your door, you are going to have to go knock on theirs!

But read this first!!!

And…get prepared to sell yourself. However, here is a common problem… not all visual artists have natural sales ability. In fact, many artists are rather shy when it comes to selling - and this is the main reason why many artists want and need galleries in the first place! So what does one do???

Below is an important check-list of questions and ideas to help you prepare to sell yourself and your art so you can find the right art gallery.

Step 1: Get Real and Ask Yourself these Questions…

  • Am I ready to sell myself to a gallery?
  • Is my art saleable?
  • Is my art technically good?
  • Have I developed a recognizable style?
  • Do I have a cohesive body of work ready to display?
  • Have I had success selling my work in art/craft shows, out of my studio and other non-gallery venues?
  • Do I have the time to fulfill the supply & demand of a gallery?
  • Do I have a website/blog that showcases my art and information? (This is not a must, but highly suggested)
  • Do I have a portfolio, bio, and resume & artist statement?
    • If the answers are yes- you might be ready to take the next step toward finding the right gallery.
    • If the answer is no - don’t put yourself in a vulnerable position.

“Approaching a gallery before you are ready is kind of like putting a gangly teenager in modeling school. It won’t help your self-esteem and it most likely will bruise your ego.”

Step 2: Find Your ‘Target Gallery’…

  • Do-your-homework and think about where your artwork belongs in the art market. This is easy to do and you can start from home.
  • Flip through art magazines and look at gallery ads and the artists they represent.
  • Check out gallery websites and see if your work would be a good fit for them.
  • Talk to fellow artists and have them suggest galleries to you.
  • If you paint wildlife paintings I don’t advise approaching a gallery that specializes in abstract art.

Although on occasion, this might even work…I approached a gallery that mainly represented fine art glass vessels, their walls were basically bare. I showed them my still life paintings and pitched doing a series of paintings with glass vases. They loved the idea and became an important gallery for me!

  • Observe the gallery through the eyes of a collector, not as an artist.
  • Watch and see how the staff greets and treats you. Are they courteous and professional?
  • Walk through the gallery and scan the art, look how it is hung and check the lighting.
  • Ask for a price sheet if available. See if your prices are within their price range.
  • Be sure and get references on the gallery from other artists. (If I am not familiar with the gallery’s reputation, I always call a few of the artists in their ‘stable’ as a referral. Be sure and ask if the gallery pays their artists in a timely fashion!)
  • Try and visualize your art hanging in the gallery and see how it compares in quality to their other artists.
  • Searching for the right gallery is a process of elimination.
  • The more galleries you visit and research, the more informed you will be about making the right choice.

Okay, you have a short list of ‘target galleries’ that are a good match.  Now what?

Step 3: Do Your Homework BEFORE You Approach Your ‘Target Gallery’…

  • A successful gallery with a good reputation gets inundated with dozens of artists’ submissions each week.
  • An artist must do his or her best to stand out from the crowd.
  • Do your homework about the gallery’s ‘artist submission policy’ and follow their guidelines. You can usually find this on their website.
  • Many galleries, especially within the high-end fine art market have specific submission requirements and policies. Which means, usually artists must submit work for review.
  • Or…you can be a rebel, take your chances and do it your own way! (more helpful ideas about this in an upcoming post.)

If you follow check-list above, you will feel well prepared to approach your ‘target gallery’ with confidence and good salesmanship. And remember, you are an expert about your product – because your product is YOU!

Thanks for the visit, ~Lori :-)

*****

Please stayed tuned. In the next article I will explain my 7 creative ways to approach an art gallery for representation! Meanwhile, I highly recommend the articles below:

How to Overcome 3 Barriers to Success as an Artist
Three Tips for Artists to Promote Themselves and Their Galleries
Should Artists Work with Galleries, Go to Direct to Collectors of Both?

Related posts:

  1. The Right Art Gallery – How to Find One
  2. Visual Artist’s Challenge II – Balancing Self Promotion & Gallery Representation
  3. 5 Benefits of Local ‘Co-Op Gallery’ Membership
  4. Gallery Partnership Marketing
About Lori McNee

Lori McNee is an internationally recognized professional artist who specializes in still life and landscape oil paintings. Lori shares valuable fine art tips, art business tips and social media advice on her blog. Currently, Lori ranks as one of the Top 100 Most Powerful Women on Twitter & was named a TwitterPowerhouse by The Huffington Post.

Comments

  1. Thank you for quoting me.

  2. That was very useful, Lori, thank you. I’ve been pondering if I should seek gallery representation and leaning towards working on a “cohesive body of work” before I actually do so. Your article confirmed my instincts and gave me more good info to think about.

    I do have a related question. I live in an area that isn’t very rich in culture in general and artistic activity in particular (California High Desert). I can count the local art galleries with fingers on one hand. I’m also rather confident that I would not encounter a lot of difficulties if I tried to get my art into one of these galleries. Do you think it would be worth it to spend my time and efforts on one of the so-so galleries to “start with”? Or is it better to find some that are 100+ miles away but where I would have real competition and discerning clients?

    • Lori McNee says:

      It’s great to hear that this article helped you, Yevgenia! That makes all the work worth the effort. :-)

      As far as your gallery question is concerned…here is what my experience has been. Obviously, I live in a very high-end resort town community with a strong gallery influence, so this is not a direct parallel. But, I am blessed to be represented within my own town. The locals really support me and the visitors often like to purchase paintings from Idaho residents – this has helped me. In your case, the little hometown gallery in your area might be a good place to start as long as the gallery pays their artists, has nice a atmosphere, and show decent work. You never know, this might really work well for you…I would also work toward finding another gallery that really suits your art, outside of your area. As long as you can maintain two galleries, I think you should give this a shot!

      Let me know what you think! Thanks again for the visit and comment.
      Lori

  3. Rejection today should not be a permanent no. Try again with a better & totally different portfolio in a couple of moths time. IF you do it all by email you should have a contact name from their original reply.

  4. This provides useful info. Thank you for posting.

  5. Thank you for sharing about art gallery. This is very interesting. Im looking forward for further posts about these events. These make me more interested to it. Thank you for the info. Keep on updating

  6. Vladimir says:

    I see a lot of good words but where are the success stories? What think you over an idea of special art-agency that do all promo-job for the new artist? I go there with my idea and works and my money….. They do the rest. They make me world-famous expensive artist. Just like MTV works with music. Justin Biber is a good example. Why not? It is the same technology.

    http://www.saatchionline.com/VladimirGent

    • Lori McNee says:

      Hello Vladimir-

      Yes, art agents can be a great asset to the professional artist. I have used one in the past.
      This article is aimed at helping emerging and new professional artists. The art market has been struggling and it is tough for artists to find galleries these days.
      If you have a tip you would like to share about finding an agent and how it helped your success, I’d love to see it.

      Thanks for the visit and comment-
      Lori

  7. Lori McNee says:

    Thanks for the RT on Twitter! :-)

  8. Lori McNee says:

    Thanks to Yevgenia, Lynda and the Art Student League for RTing this blog post!
    Lori :-)

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