Many of you might ‘gasp’ at the thought of taking an unsold painting out of the gallery and back into the studio to rework it.
But famous artists like Van Gogh and Wyeth, for example, recycled canvases by painting – actually painting over their earlier works. From time to time, that is exactly what I do – I like to give a new identity to an unsold painting!
…and here I go again! (Click on the thumbnail images to enlarge for detail.)
After the critique, I/we felt that “Peach-face Lovebirds on Peach Vase” was too sweet. So I murdered the little lovebirds and changed to a Cardinal pair, took out the daisies in exchange for peach blossoms, and a new name.
In my big still life show last year, “Peach Blossoms & Cardinals” almost sold. It had a hold on it, but then no one else showed an interest in the painting, so I brought it home. I decided that the birds were to light for the weight of the yellow vase. I also didn’t like the turquoise background – it was too strong.
© 2010 Lori McNee, “The Rainbow’s End”
Maybe ‘threes a charm’ because I lovethis painting! The colorful parrot gives the composition the right balance and color needed. The pose is strong and interesting. The grapes at the bottom of the painting anchor the piece, repeat the reds and make sense with the parrot. This painting is on its way to Gardner Colby Gallery in Florida – where it should find a happy home!
I am a problem solver and if a basically good painting has not found an owner within a year, I like to take it home for an evaluation:
- Ask your kids, family members or friends for a ‘honest’ critique
- don’t worry about your feelings at this point!
- kids are sometimes the best critics – and brutally honest!
- Hang the painting in a living-room or bedroom and see how it stands up against the furnishing, etc.
- Take the painting out of the frame
- Prop it up in the studio and study the composition and color
- How is the technique?
- How is the brushwork?
- Can it be improved?
- Ask yourself
- Is the painting in the wrong Gallery of market place?
- Is it the economy’s fault or the painting’s???
Some of you might be timid to try something like this and to the ‘purists’ out there, this many seem like ‘cheating’. But, this painting process has been used by many of the art masters before us.Robert Bateman, the most famous wildlife artist gave me some valuable advice (plus he taught me how to paint birds!). Bob said, “Don’t let anything be too precious.”
I know from personal experience, that if we are not willing to experiment, take risks and let go, we will have a hard time growing as artists.
Let me know how this works for you! ~Lori
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